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The Psychopathology of Everyday Life By Mona Harden 1.
The Attack of the Hummers On the Sunday the New York Times reported U.S. tanks
rolling into Baghdad, perhaps the most telling commentary on the invasion was
the lead piece in its automobile section, an article titled, ÒHummer H2: An
Army of One.Ó Monthly sales of
more than 3,000 of these 11 mile-per-gallon, 3-and-a-half ton behemoths have
made the suburbanized facsimile of the military Humvee DetroitÕs hottest
S.U.V., and according to the Times, the patriotism inspired by Operation
Iraqi Freedom is largely responsible Ð as one California salesman quoted in
the article so bluntly puts it, ÒNothing screams ÔAmericanÕ like driving a
Hummer.Ó Another piece on this theme, titled ÒIn Their
Hummers, Right Beside Uncle Sam,Ó had appeared the previous day on the front
page of the business section, and among the many patriotic Hummer owners
quoted therein was the intriguing Rick Schmidt, founder of the International
Hummer Owners Group, otherwise known by the suggestive acronym I.H.O.G. SchmidtÕs philosophical musings on
the topic were revealing. ÒItÕs
a symbol of all that we hold dearly,Ó said he, Òthe fact that we have the
freedom of choice, the freedom of happiness, the freedom of adventure and
discovery, and the ultimate freedom of self-expression.Ó For Schmidt, love of country and love
of motor vehicle were inextricably linked; ÒThose who deface a Hummer in word
or deed,Ó he added, Òdeface the American flag and what it stands for.Ó Psychopathology is generally indicated when people
continue in behavior and belief systems which again and again prove
inappropriate, dangerous, and self-destructive Ð when, against all evidence
to the contrary, they persist in acting upon ideas which cause suffering and
damage, and serve to alienate the trust of others. Cultural psychopathology would be this phenomenon en
masse, and today we see it in the way the American Way has become synonymous
with Big Oil Ð with 5% of the planetÕs population, the U.S. consumes 30% of the
planetÕs oil, most of it now imported, most of it burned in
transportation. The effects of
this massive imbalance have become obvious: a bloated military budget, a
foreign policy of aggression, worldwide resentment, global warming,
environmental decay, the rise of a guerilla army of suicidal bombers. Afghanistan was about Big Oil. Iraq I and II were about Big
Oil. Ultimately, the 9/11 World
Trade Center attacks were about Big Oil. World War III will be about Big Oil. And one-half of all motor vehicles
sold in the U.S. last year were S.U.V.Õs. The psychopathology is that, like much else in
American life, war now plays as consumer entertainment, marketed along with
Hollywood romances, McDonaldÕs Happy Meals, and Disney toys; and although
many commentators snickered when, after the WTC attack, Americans were told
that the best way to fight terrorism was by shopping, in fact, U.S. leaders
were advising us of our proper role in the nationÕs political life. We have become the consumer
militia. ÒThreaten men in a whole new way,Ó suggested one
advertisement for the Hummer, targeted to appeal to women; and, yes, the
escalation of aggression in U.S. foreign policy has been mirrored by an
escalation of the arms-race on the nationÕs streets and highways, and in
fact, Nisssan will soon be marketing an S.U.V. called the ÒArmada.Ó The triumphant mood of the Bush Mob,
expressed in its doctrine of Òeither youÕre with us or youÕre a terrorist,Ó
has reached street-level as a go-fuck-yourself disavowal of any sense of
communal responsibility -- gluttony, envy, covetousness, anger, sloth Ð a
majority of the Seven Deadly Sins Ð have become the new moral imperatives. 2.
Crash Test Dummies Imagine what city life would be like if pedestrians
behaved towards each other on the sidewalks and subways the way drivers do on
the cityÕs streets. Say
the person ahead of us is walking too slowly for our taste Ð do we scream at
them? Bark obscenities till they
get out of our way? Swerve past
and give them the finger? I
donÕt think so Ð given the often cramped quarters we move in, pedestrians are
incredibly forgiving and tolerant of each other, and anyone paying attention
will note the innumerable acts of kindness we treat each other to every day
and hour. But can you imagine someone
giving up a New York City parking space the way people so often give up their
seats on trains and buses? Are we beginning to see a connection between the
ÒAmerican love affair with the automobileÓ and the increasing violence and
militarization of everyday life?
IsnÕt Òroad rageÓ the rule rather than the exception? What other technology so insistently
pits human against human in a struggle for position and square footage? Where else is the Òrat-raceÓ so
literally incarnated but during the daily commuter traffic jam? Each year
in the U.S. some 40,000 people will die and several hundred-thousands
be seriously injured in auto accidents, the average casualty-rate for the
past half-century. Worldwide,
the International Red Cross estimates that as of 2001, some 1.2 million
people are killed and 30 million injured annually in car crashes. Apart from firearms and military
ordnance, no other technology is implicated in so much violent death and
injury; and it is difficult to imagine that, if airplane or train wrecks
killed this many people, anyone would continue to fly or ride trains. To Òdo the math,Ó the 40,000 annual
deaths-by-car in the U.S. is the equivalent of two fully-laden 727s crashing
with no survivors each week; the
worldwide automotive death toll is equivalent to three or four full
jumbo-jets crashing every day. Yet somehow weÕve come to
tolerate as normal this level of violence in everyday life, and to categorize
this predictable mass carnage as Òaccidental.Ó Who is the dummy in this crash test? 3.
Taking Back the Streets During
last winterÕs February 15 antiwar rally in Manhattan, when a quarter-million
demonstrators converged on midtown, a popular chant among the protesters was
ÒWhose streets? OUR streets!Ó in
defiance of Mayor BloombergÕs ban against the march. Despite the NYPDÕs efforts to keep
people on the sidewalks, the crowd had grown so quickly that soon Lexington,
Third, Second, and First Avenues were impassible to cars and trucks. In fact, many drivers found
themselves suddenly trapped in the surging masses of people who flooded the
streets. The automobile usually
dominates the city with millions of tons of steel rushing haphazardly down
the avenues every hour; on that bitterly cold, but encouraging afternoon,
this tonnage and horsepower were made insignificant. As I passed with the chanting crowds around the vehicles trapped by the rivers of humanity, I had to wonder what these drivers and passengers, sitting sheepishly and helpless within their metal cocoons, were thinking. What was their awareness of the web of connections between (1) the Texas oilman President, (2) the coming war, and (3) the cars they were presently held hostage in? Did they feel historical forces gathering around? A connection between their present powerlessness and the powerlessness of the Iraqi people, soon to be bombed and invaded? In
the summer of 2004, the Bush Mob and the Republican Party will hold their
Presidential convention in Manhattan Ð Ground Zero will be the backdrop for
this massive photo op. Perhaps
Flyboy George will deplane onto the deck of the Intrepid, in a reenactment of
his victorious landing on the aircraft carrier U.S.S. Abraham Lincoln; in any
event, the entire city Ð this onetime bastion of progressive Democrats Ð will
be hostage to the Republican hordes.
Who will be the dummies in this crash test? |
June
2003 Anti-Empire Issue Welcome to the Empire photo: Ando Arike In
This Issue: The
Surveillance Camera Players: The Mass Psychology of Fascism Roman
Stoad: Meghan
Mahar & Jim Lundquist: Brian
Kelly: The Token Faggot: Tales of
the Right Bank Reverend
Billy: The Revolution is My Hot
Neighborhood Jill
Rapaport: Download
PDF of Entire Print Issue With
work by: Doreen
Bowens Ando
Arike Ebon
Fisher Tsaurah
Litsky Trystero
Montevideo And more... Williamsburg
Observer Homepage
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The Surveillance Camera Players
Since 1996, The Surveillance Camera
Players have been presenting their work to audiences across Europe and the
U.S. The present piece was
performed on 9 November 1999, on the 10th anniversary of the Fall of
the Berlin Wall. For more
information see http://notbored.org/
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That Pencil
in Your Pocket Could Be Used to Carry Chemical Weapons
or
Prelude
to a Requiem for the Library of Baghdad Blues
By Roman Stoad
Apparently my anti-cell phone tirade last issue failed
to draw any response whatsoever, neither ire nor admiration. Not a single
complaint or compliment. I donÕt know if that signals complacency or
disregard. Many people have been
thinking a lot lately about what can be done about both those issues Ð that is,
complacency and disregard -- especially concerning our government and its
theoretical pact with Òthe people.Ó
Aside from various traumatic solutions of assassination and property
destruction (shooting republicans, burning gas stations, destroying currency) I
needed to think of things that wouldnÕt necessarily land me in jail, although
thatÕs getting harder and harder to avoid as the general public invites
surveillance into their lives as a form of entertainment. Which has something to do with why I
feel IÕm being watched all the time.
But that might be paranoia.
Some say paranoia is a healthy thing, that we ought to bring it back as
a fashionable lifestyle. Toward
that end, I made up this list of little things to do for paranoids. In case someone is watching me at least
they will have some behavior to interpret. One ought to look busy to avoid suspicion. After all, the symptom could trigger
the disease.
Act Uncomfortable in Every Situation.
This is easy. Squirm around
in your seat wherever you are.
If you are standing, fidget and tap your toes. Speak with a quivering voice. Whistle corny tunes loudly. When the boss asks why, tell him or her that you are
uncomfortable with your role as an American citizen, and that it is affecting
your job performance. Tell him
youÕre worried about WMDs. Show
him a picture of his own storage closet and say youÕre afraid it might be used
to store chemical weapons. Use the phrase Òdiminished productivityÓ. If he tries to fire you, sue him
for unpatriotic behavior. Tell the
judge you are so afraid of a terrorist attack that you can no longer
concentrate, that your judgment and your reflexes are crippled by fear. Try to get compensation. This behavior also works well in
restaurants and bars. It
puts a damper on the good times of others, and may provoke serious
thought. Or simply tell your
friends youÕre not fit for public events.
Besides staying home is good because you donÕt have to buy anything that
oppresses anyone.
Initiate Pre-Emptive Strikes on Inconsequential
Targets. I donÕt mean that you should bomb polling places
because you fear they might be participating in an illegal election process.
You could start by defending yourself to policemen on a random basis, because
you suspect that they are going to arrest you anyway. You could recite long-winded lawyer-like speeches about your
rights vis a vis the constitution.
Then when they do arrest you, your defense is established. Sue people for things they havenÕt done
yet. Sue the government for
violation of your right to privacy because you suspect that they were going to
tap your phone when they started to suspect you of suspecting them. Be pissy with your neighbors because
you suspect them of watching. Accuse your friends before they accuse you. If your shrink calls you paranoid, tell
her George W. Bush said it was all right, that paranoia is patriotic (that is
paranoia properly directed) and striking first is the perfect way to prove that
one is innocent until proven guilty.
Or better yet, accuse your shrink of manipulating you in an effort to
cause mass dependency or to instill a herd mentality. After all, no one told you it could damage your health. You were misled. Have her investigated. Tell her sheÕs hiding something. Try to get her locked up. Punch people in the street for nor
reason, call it homeland security.
Live in fear.
Speak in a Foreign Language. Refuse
to use English, the international language of Business and arrogant tongue of
the Imperialist Dogs. Be an Ugly
American at home. When you go shopping, ask the prices of items in some foreign
language. Pretend you think the salesperson ought to understand. Get incensed if they donÕt. If you canÕt speak another language,
start an Anglophone support group.
Gather your mono-linguistic friends together and help each other ease
the guilt of speaking the violent tongue of the Conquerors. Remember that English is a descendant
of Anglo-Saxon which itself is derived from the Vikings and the Visigoths whose
cultures were devoted to sacking civilized cities, rape, pillage, blood lust,
and delusions of grandeur. In
fact, psychiatrists have shown that just speaking English can stimulate
aggressive tendencies as well as arousing a dormant sense of entitlement.
Pay for Purchases with Euros. In the same spirit, refuse to use dollars. Pay for things with Euros (or other
foreign currency). Say, ÒExcuse
me. Do you take Euros here?Ó Get angry if they wonÕt accept
them. Use Euros at laundromats and
pop machines. Jam all vending machines with foreign coins. Jam the MTA Metrocard vending machines
with Euros. There will be a story
on NY1 and Fox and CNN about the strange Euro plague. Ask your banker to change your accounts into Euros because
you believe they are a safer investment.
Write your congressman and demand that all prices on consumer goods be
listed both in dollars and Euros, because eventually we will have to use them
when the US economy collapses and the dollar is no longer worth a dime. Then, because youÕre pissed off, dress
up like an Outraged American Citizen and start demonstrations against the
Europeans. Shout ÒBring down the
EU!Ó or ÒThe EU is Unfair.Ó
Stop Shopping. Many people have been saying it, no one
seems to be doing it. We must
break the equation between Freedom and Product choice. James Earl Jones and the armies of
ÔChoice AdvocatesÓ have nothing to do with the Bill of Rights. Who cares if the Corporate Powers can
now make a breakfast cereal with your face stamped on every flake, or a shampoo
with your personal hair problems in mind.
The competition for shelf space grows increasingly savage as needs
multiply and possibility seeks to align itself with desire. We have to stop this before every
ÒindividualÓ requires their own factory in a third-world country just to
maintain credibility in todayÕs competitive job and spouse marketplace. Stop going to movies too. Go to plays. Read more medieval history. Or just talk dramatically to your neighbors. Stop being Hip. Avoid all ÒcoolÓ mannerisms and
personal tics. Stop hanging out in
Williamsburg. Stop imitating
TV. Agree to disagree. Say ÒOwn less,Ó not ÒGet More.Ó Cook your own damn food. Drink at home.
Stop Going to the Gym. Stop
making your body into a symbol of Corporate and Military Power. The old Greek body/mind interplay might
have made sense before Stealth bombers and AK47 Stewart Magnum 44 KY 757 Hydra
Attack Tanks. But things are different
now. All those Òjust do itÓ Nike-Gatorade-Super-People you see on TV, and in
the gym windows of the Exhibitionist Salons, only serve to subconsciously
support the hawkish imagery of American domination and wanton consumption that
has come to be seen as our ÒGood LifeÓ at the expense of most of the world. Social psychiatrists have shown that
corporate-sponsored body fetishism translates easily (and, we might add,
intentionally) into a technocratic number-fetishism which feeds the hunger for
bigger and more muscular weapons and exaggerated statistics. Has anyone noticed that the new SUVs are
looking more and more like Athletic shoes these days and vice versa, which goes
to show that the current body sculpting craze can be directly related to Power
and Oil consumption. So wear a
t-Shirt that says Gym=War. Bring
back heroin chic and slumped shoulders.
Deface SUVÕs. Buy a tow
truck, and drag incapacitated SUVs into major intersections to block
traffic. Burn hundred dollar
sneakers in bonfires whose acrid smoke imitates the burning oil fields we read
about as kids in the Tales of the Arabian Nights.
Promote Paradox and Guerrilla Theater. Develop a series of Political Koans. Print them on posters and t-shirts for
public meditation. ÒThe Truth is a LieÓ or ÒFreedom is Slavery, Ignorance is StrengthÓ or ÒOne Nation under God is NeitherÓ or ÒBush
DidnÕt Even Know He Knew.Ó Pose
puzzling questions: If the Iraqi
dead have no names, what did their families call them? Dress up like a WMD and wander around
looking confused. Buy a
powerful car stereo and drive around your neighborhood playing cranked up
anti-war songs like Masters of War, or Eve of Destruction. Broadcast Islamic Prayer from the roof
of your building. Wear kaffiyas as
fashion statement. If youÕre
Christian, tell your boss you are converting to Islam; Christianity is too
martial. Cite the
constitution. Claim God as the
justification for all your actions:
ÒI no longer shop because God is on my side. I donÕt go to the gym because God would have me meek. I am no longer hip because God
asked me to be humble.Ó Study
Hinduism. Twist peoplesÕ words
around till they believe what you say theyÕre saying. Cite conspiracy theories as if they were already
proven. TheyÕre fun and they make
more sense than the TV news. To
hell with advertising your bandÕs next gig; put the photocopy machines of New
York to better useÑadvertise alternative realities. Throw a stone through a government window with the following
note attached: Be careful, this rock
could be used to carry chemical or biological warheads. Hold a focus group in your neighborhood
to help determine the marketing possibilities of the destruction of the Library
of Baghdad. After all, history
might stop repeating itself once there is no way of knowing history. Could be good for everybody.
Roman Stoad is a writer and philosopher.
The Right Bank
CafŽ opens N.Y.Õs New Bohemia--New York Magazine, June 22, 1992
End of an
Era in Williamsburg:
The Right
Bank CafŽÕs Final Last Call
By Meghan Mahar
Photos by Jim Lundquist
For the past fourteen years The
Right Bank CafŽ has been a vital part of the life of Williamsburg and New York
City. Opened in 1989 by Kerry
Smith, a retired NYC firefighter, the bar/restaurant/nightclub at the corner of
Broadway and Kent Avenue has seen the neighborhood go from desolate factory
district to bohemian/hipster mecca. This spring, in the wee hours of March 31st
, The Right Bank served its last drink and called its final last call. The comments on the following pages are
part of my ongoing project to preserve the stories of this infamous and
irreplaceable saloon.
Kerry Smith on closing
day
My first experience of the Right
Bank was living here and there was not even a place to get a soda, let alone a
cocktail Ð I mean there was no body living in the factories, they were actually
factories. We used to be able to hear the crickety-crack of the knitting mill
all night long and youÕd wish there was a barÉ One evening walked past this bar
being built and I wondered when it would open. Kerry opened the door and was like, I think I have a bottle
of wine around here somewhereÉand thus was our first Right Bank evening. For a
long time Kerry didnÕt have a liquor license, just wine and beer. He had this garbage can in the middle
of the floor that said ÒGive to the whiskey fundÓ and for years people would
throw their pennies in there Ð contributions for the Right Bank liquor license.
IÕm sure once he cracked them open he found more than just pennies Ð people when they drank would just use
it as a garbage can. And it was kind of a scary thought, you know, the Right
Bank with liquor, it wasnÕt even imaginable.
- Lex Grey, chanteuse and
customer
You know, some of the best times
were just staying up after I was done working with the few people who you liked
enough or were regular enough to stay after the gate went down. Just hanging
out. Kerry and I would hang out there at night just watching Star Trek, Kerry
is a total Star Trek fan. You know, good family, screwed up family stuff.
-Seren Morey, bartender
So I was hanging out with Donnie
and a carload of people were going to Williamsburg and I was like, nah IÕm not
going to go because I always have a bad year when I start out at the Right
BankÉbut I ended up going out. We
were sitting at the end of the bar talking and as when I got up to go to the
bathroom this girl grabbed my armÉIf I had not gone to Right Bank that night,
five years of my life would have been rescued. Who knows, I could have been a
successful person.
- Carl Watson
The summer when I first moved to
New York I was looking for jobs and not having much luck. I went to drop off my resume and the
bar was packed and it was in the middle of the day. Kerry was like, Ò Well, I
donÕt know what we have right now. Can you mix drinks? And I was like, Òwell I donÕt have any
bartending experience but I canÕt imagine itÕs too difficult.Ó And he was like,
ÒYeah, you got your gin, you got your tonic and you put it in a glass. There.
Waahhh.Ó So I was like, yeah ok sure. And he said, ÒWell weÕll call you if we
need anything.Ó One morning a few weeks later, I got a call from Kerry and he
was like, Ò AhhÉmy bartender didnÕt show up, can you come in and work?Ó ÒAnd I
was like, yeah when?Ó He said, ÒIn 15 minutes.Ó So I said sure why not. And the
rest is history.
- Parinaz Hosseini, bartender
Meghan Mahar is a
Williamsburg writer.
Jim Lundquist is a
Williamsburg photographer.
THE TOKEN
FAGGOT: Tales of the Right Bank
By Brian Kelly
M. had silver hair and a craggy face. He wore an old, green T-shirt stretched
out around the neck and limp in the pocket where his Marlboros hung in the worn
fabric. His voice was rough and
usually booming. He was always
perched on his stool at the end of the bar close to the entrance where he would
hold court with union Ironworkers and Domino Sugar Plant workers. Dusk is glowing behind him through the
cafŽ doors that look out onto the East River, lower Manhattan, and ultimately
New Jersey. As the sun set in the
west and cast itÕs nearly horizontal beams across the bar and multi-colored
bottles behind it, anyone facing M. from inside had to squint to make out his
gruff features. The bartender that
late fall afternoon was Seren, who was very attentive to him. After all he was extremely regular in his
late afternoon patronage and always a good tipper. Being seated by the door, he had and seized the opportunity
to scrutinize all whom entered.
This made him an excellent tool to filter out any of the thick-rimmed
spectacled folks who frequented some of the more pretentious establishments
around the recently gentrified neighborhood. He also had a way with any unfortunate Hasidic Jews the
nervously crossed the threshold.
ÒGET THE FUCK OUTTA HERE!Ó he would bellow making them retreat like
scurrying mice. On some occasions,
M. would host a game of his invention called Horse Balls. Horse Balls was a welcome attraction
for the patrons who were being weaned from the recently defunct QuikPick lottery game. What it was, he would bring in this
bucket of ping-pong balls with numbers on them. You would pick one, place your bet and then root for the
corresponding horse in the next race on the television hanging over the bar.
I had been friendly to M. to the point of nodding to
him upon entrance in the past. To
me, he was an urban redneck who I thought wise to steer clear of. Mostly all the stools on the other side
of the bar were taken. Either I
would stand against the far wall or I would saddle up next to M. for my trek
into drunkenness this afternoon. We
exchanged timid looks and ÒHey,
how-r-yaÓs in low, quiet voices then drank quietly staring blankly at the TV.
As the alcohol clock ticked, 1,2,3, MakerÕs Mark for me and a few beers for
him, we began to show the signs of ease.
Mostly making sarcastic cracks about whatever was on TV or humorous
exchanges with Seren. In one of
those Òtune it at 6Ó news promos, the cheerful announcement was made that then
President, Bill Clinton, would be in town this week making speeches. ÒWhoop-dee-do!Ó exclaimed Seren. ÒHey,
I like Bill,Ó I replied. ÒSo do
I,Ó she added,Ó but I wouldnÕt drop my drawers for him.Ó This she followed with
her famous guffaw that I always found strange coming from such a quiet girl. Jokingly I came back with a lascivious,
Ò I would!Ó M. glanced toward me,
laughing for a few seconds, then turned serious. His eyes darted back to somewhere amidst the beer in his
glass, paused, back at me, back to his glass. ÒDonÕt tell me youÕre one of those fruity loops?Ó he
demanded. Yeah, I liked Bill Clinton. He was the one who brought about the
old ÒdonÕt ask, donÕt tellÓ policy for the military that I had already been
following in my life. But here M.
wasÉ.asking. I didnÕt want to hit him over the head
with it, but I had decided years ago, although I wouldnÕt flaunt it, I wouldnÕt
deny it when asked. Had I not been
a bit sauced up already I might have just avoided his question altogether but
instead I beamed at him and answered, ÒSometimes.Ó For what seemed like
minutes, he search my eyes for sincerity verification, then practically fell
backward off his stool as if I had just maced him. ÒJESUS CHRIST,Ó he yelled,ÓmothaÕ fuckin 3 dollar bill, cock
sucker, son of a bitch, faggot!Ó I
caught SerenÕs knowing eyes for a sec before she let out another or two
guffaws. I started laughing and
admitted, ÒWhy yes, yes, I am.Ó
Turning red now and signaling for another refill, he glared at me. ÒWhat da fuck is da matter wit
you? Dis ainÕt no fucking fern
bar.Ó This made me laugh harder
and Seren add a few more trumpets until a smile finally broke over his face.
ÒJesus Fucking Christ, a 3 dollar bill.Ó
He climbed back on his stool and took a long chug. He kept muttering, Òfucking 3 dollar
billÓ between bewildered glances shared between me and the TV and Seren.
ÒSo, let me get this straight -- and IÕm straight by
the way so donÕt get any funny ideas -- you like to take it up the ass?Ó I then proceeded to inform M. about my
sexual identity. I explained to
him that technically, IÕm gay, however my sex life, or should I say, my
virtually non-existent sex life did not define me. I know IÕm queer cause IÕm attracted to cock. And usually
that cock is connected to dangerous, over macho men, who are extremely likely
to be straight. In other words, I
crave the forbidden fruit. I donÕt
like taking it up the ass, basically because of the excruciating pain and I
donÕt frequent gay establishment or events because, as I have said, IÕm
attracted to real manly men. I
went on to comfort M. by reassuring him the I wasnÕt on a mission to get laid,
but rather to get drunk at my local tavern with neighbors. Although, most good- looking blokes who
Ôve caught me in my drunken red-zone over the years will tell you, IÕve hit on
them once or twice. ItÕs the
pursuit and the danger in the risk of proposition that turns me on. Thank God IÕm always turned down
because actually getting an acceptance blows the whole thing. It just gets messy and self-degrading
when it comes to any actual action.
I hereby apologize to all of you whoÕve endured the sometimes extremely
blunt overtures of my bourbon-induced Mr. Jeckyl side -- rest assure no disrespect was
intended. So, there you have it,
IÕm a dysfunctional faggot. This
is why I feel comfortable a bar like The Right Bank. With its variation of characters, a mad ensemble of artists,
Latinos, Ironworkers and whatever, itÕs a good analogy to call it the Island of
the Misfit Toys. A gaggle of real
folks who come off as common as ice till eventually you find out most of them
are geniuses and maestros of their varied crafts. From painters, writers, and bridge builders to computer
geeks and filmmakers. An extended
family including quite a few neurotics and a psychotic or two. All of us related by our varied degrees
of alcoholism, love of good music and familiarity that comes over time. Sort of
like ÒCheersÓ on crack. I became the token faggot after countless nights of
debauchery and mayhem around this very bar on which awaits another glistening
tumbler of amber nectar.
M. grumbled on as I sipped away at MommaÕs milk until
he confronted me with the moral issue.
ÒWell, donÕt you know youÕre going to end up in hell? Do you even believe in God? Do you know what the bible says about
people like you?Ó The invisible
force that had previously knocked him from his stool returned for an encore
when I answered his question with mine, ÓDid you know that over half the
Catholic priests in this country are gay?Ó This was during the ÒdonÕt ask, donÕt tellÓ era in America,
long before the church sex scandals of recent times. M. was in shock at my blasphemy. He assured me I would get
whatÕs coming to me on judgment day.
Again the growing drunk led me to humorously accept his curse as my
fate. He regained his perch and
stewed with his beer awhile until he turned and grabbed me by the fabric of the
old army jacket I had bought in a local thrift shop. ÒDonÕt even fucking tell me YOU were in the army? IÕll pop you in the head right
now!Ó ÒNo, I never served; IÕm
blind in one eye. Did you
serve?Ó ÒDamn right, I
served. Back in a time we didnÕt
have a draft-dodging President allow fruity-loops in!Ó Misjudging his age, I supposed he
was in Korea or possibly the end of WWII, so I said, ÒWell, I hope you served
in a noble war and not that Vietnam fiasco.Ó For the third and final time his body was lofted
backward. This time toppling the
stool and him landing on his ass returning my now cautious look with a face one
would view the anti-Christ with.
He got up, chugged what was left of his half-pint and darted out the
door. The silence in the room
lasted until it was finally broken by yet another honking explosion from deep
in the belly of the bartender.
Over the years, I continued to habit this watering
hole, as did M. who would always announce my arrival: ÒOh, Jesus Christ, itÕs the three dollar bill!Ó He found my presence annoying
sometimes, IÕm sure, and his greetings to me sometime irked me but after a
while it just became a running gag.
It got to the point where I would playfully flirt with him to see him
get disheveled. ÒMe thinks the
lady dost protest too much,Ó I would share with the others. Or, I blow him kisses from my end of
the bar and remind him to be nice to me or heÕd pay when we got home that
night. But, the point is, he, as
did so many of the other regulars at the Right Bank, accepted me and eventually
shared with me a mutual respect and love.
At no time was this more apparent than the night of the WTC disaster. By nightfall on this tragic day, still
in shock, confused and intense needy of being with fellow New Yorkers, I was
drawn to the bar not knowing if it were even open. It was open and filled beyond any event IÕve witnessed
there. Mostly everyone was blankly
staring into space or at the TV, which constantly replayed the horrible images
captured earlier that day. Barely
audible were the few conversations going on in corners of the room before me as
I stood silently in the door taking it in. It was M. who turned from the TV and looked deep into my
eyes as tears welled in his.
Sobbing, and with a guttural whisper, he began to mouth Òthree dolÉÓ
when he just jumped up and hugged me tightly and shook my hand. ÒGlad to see yaÉya fucking queer.Ó
Lex Grey Right Bank Postcard
The
Revolution Is My Hot Neighborhood
By Reverend Billy
The following is excerpted from the ReverendÕs just-released book, What Should I Do If Reverend Billy is in My Store? (The New Press 2003). More information is available on http://www.revbilly.com./
WeÕve
been malled and chain-stored so thoroughly that, if a neighborhood is healthy,
roaring with humans Ð with, can I say, a special Oddness Ð this is now
politically radical. And evidence
that a neighborhood is happening comes out mostly in the hot talk. The seed of a neighborhood is the
unsupervised talk of a particular kind, by three people on a corner.
That sounds simple; it isnÕt. ItÕs complex and that is the
point. For instance, you canÕt
plan this, you can only get out of the way. You don't need Celebration, Florida to prove that real
neighborhoods cannot be made by policies (read corporations). The phrase "planned community"
is oxymoronic. Do I have a
witness?
****
WeÕve seen 3 talkers on the corner, and weÕve heard
them too.
You can tell when the talking and listening is intense; even if its lazy and it is a hot day, there is a jumpiness, an edge. If anyone is touching anyone else, that's a good sign, whether it is chest or shoulder slapping or touches on the hands. If one person listens with disbelief or exaggerated dismay on their face, if the group seems to exchange comic smiling masks, that's it. If the three seem to be in suspension while a story is acted out, and suddenly burst with abandoned laughter, that's the revolution right there.
I remember one time I was riding through Richmond, California, on the east end of the weird San Rafael bridge, and this was a Sunday. A gray windy Sunday, and we were driving through by a church where a funeral had taken place. There were three African American mothers in Sunday dresses and great hats -- brims that went way out. And each of them had a white hanky, and with the wind shaking their dresses and hats ready to fly off they each tended with their hanky to the face eyes and cheeks and nose of the lady to the left, each dabbing the one to the left, each of them talking and listening as they did it, joined together in that circle.
Original individuals originate more original
individuals that generate a neighborhood that has that mix of comfort and
surprise. Like our three talkers
on the corner, originating people trade their stories artfully, but without the
designation of an art form or the sponsorship of a corporation. The stories, and I mean to include
shorter forms like jokes, memories, gossip, lies, insults and even grunts --
they all have an agreed-upon drama.
There is a presence of no planning, of, I-created-this-right-now, of, at the climax of the tale, an
unknown. In my neighborhood, the
talk is hot because it is constantly unfinished, created-now, aching towards
but subject to all the forces that the rest of us might push into it.
Paranoid police and transnational capital outlets
share the message: ÒMove along.Ó A
chain store creates a hush. In a
verbal culture like New York, chain stores, full of awkwardness and muzak, have
no place in their place.
****
My suspicion that the neighborhood is the last worthy
opponent of the transnationals comes first of all from how corporations act
like sexually crazed adolescents around us. Picture the Starbucks scouts coming into a neighborhood and
listening for the laughter, sneaking up on a diner and staring at us. The arriviste corporate folks tear
apart neighborhoods every day with chain stores and malls, but the entire
source of their aesthetic for the new anti-neighborhoods is what they just
destroyed. Very love/hate,
I'd say. They just crave happy people. They do expensive smile research. Then they broadcast smiles back at us
until we're depressed. Exactly
like the jilted lover who finally ends up banging you over the head with the
roses. In a typical K-mart, nobody
in the aisles is smiling, but the walls are covered with huge high-resolution
smilers.
If a real neighborhood still exists somewhere, say in
the community garden near your home, or a half a ghost town still there along
Route 66, or a street corner in Washington Heights, or little towns up the
Hudson or up the Pacific Coast from San Francisco along the water east of
Mobile, and say that you live in one of these places and someone tells you a
story and you start grinning, be careful -- a camera will find you. See it there in the window of that touristic SUV? ...see that hip location specialist for
ads? Smiles, the facial contortion
they cut and paste from the neighborhood, sell. Smiles sell.
can I tell my story now?
Now
-- back to the emporium of bad soft-porn that is my own neigborhood, because
with who I am, children, I always have to return there. It's my neighborhood. Can someone help me? Keep it hot.
Amen. In Noho, just uptown
from Soho, like much of this part of New York, we are suffering from
"development;" -- new buildings whose edifices come straight down to
the sidewalks and don't afford a place to lean and talk. They want to keep us moving. Fewer stoops or steps for human
words.
We have rubble from demolition, and towering models
sulking with sex quandaries rising from the vacant lots. The chain stores are coming in,
although high-end ones, with the falsely bright light and the hush of styled
posing and no hot talk. The
minimum wage sales people are unhappy and disconnected from the products on
their shelves, which are covered with -- you guessed? -- smiles.
The high-end shops are essentially the same as the
chains, maybe the light isn't in fluorescent tubes on the ceiling, but they are
hushed too; commodification leaves the neighborhood strewn with silent boxes of
stylish air. The rents are so high
that there's centrifugal spinning here, and lots of us fly off to outer
Queens. Me? I'm starting to get dizzy, but am
curious to see how long I can stay.
(In the time following this writing, I moved to Brooklyn, then back to
Tribeca, then Nyack, then back to Brooklyn, spinning, looking for my hot neighborhood.) The people who are selected out to stay
here are very, well, they are tall white people. Their clothes are flown in from the same runways. Chinatown to the south is still a
neighborhood; but all the Italian talkers that used to be around here have been
sucked up into Scorcese films and haven't been seen since.
****
That's the thing that makes us suspect that the Devil
is in our midst, children. That
flattening of natural hot chatter into white noise and big ads. That's Evil.... When you walk into the Starbucks at
Astor Place there is no recognition, no-one shouts YO or calls our your
name. This is Evil. There is a narrowing of the kinds of
language that is shared in public, a regularization of gestures. It happens so gradually as a neighborhood
dies, that people only notice an untraceable emptiness, a certain
dullness.
Can we say this? Whatever God du jour you are hanging with, don't go
shopping. God wouldn't be in a
chain store I don't think. In
fact, let's just say: GOD IS THE
ABSENCE OF GENTRIFICATION. Let's add this to our beliefs next week. Someone give me an Amen. Because god really has to be
interesting, or, let's make it rhyme for effect: GOD GOTTA BE ODD.
****
You must have noticed children that I've been whipping
ordinary living with words like
"odd" and "hot".
I've been circling around it, poking it, calling it lots of things. But three people talking on a corner,
at least this should be, just
every day life. So how did
ordinary life become colonized?
Lots of people have discussed with greater skill than I about how the
corporations conquered the last frontier, ordinary living. Please study the words of the
Saints: Tom Frank, Naomi Klein,
Jean Baudrillard, Kalle Lasn, Benjamin Barber... we have the anti-consumerist
brilliant writers. They explain
how in much of the world we talk after, and
never before, we accept the brand.
Oh we can talk, go ahead, but let Cindy Crawford in on
the dance, have those logos everywhere.
They are your platform for your subsidiary creativity, and, yes, go
ahead and do your own things, but the logos are a vast swarm of purchasing
commands protected by a psychic vacuum of graphics and shilling celebs. These writers have labored to explain a
decisive phenomenon, brandufacturing, where a company persuades us a whole way
of life is indicated by the sacred acceptance of a running shoe, a cup of
burned coffee, a smiling rat.
These writers are, children -- Saints in the Church of Stop Shopping.
****
Today let us ask this question: How do we retake our life, how do we
take back our neighborhoods. Let's
talk practical politics. How do we
revalue (or even notice) our commonest gestures and exclamations. And as I've been saying from this
pulpit -- remember our memories, our personal ones and our public ones. So much of resisting trans-national
corporations is remembering things that we've been told to forget. As in: what is oddly scary about each
of us as individuals who bellow and coo in public space without any particular
sanction, i.e. what is not a consumer in me. What story do I have that isn't a part of a product's
language? When my neighborhood's
working, those are the stories that come up.
The Revolution is just a neighborhood. Three talkers on a corner. Amen.
the
pastor wants to fess up
Amen. Can
I tell my story? Can I take my
time? Alright, I'm going back to
my neighborhood now. I'm walking
into the Jones Diner.
The Jones Diner has been there for 65 years, since
1938. The Olmstead development
company is building multi-million dollar luxury apartments on all sides and is
in court trying to break the Jones lease.
David Bowie moved in next to the Puck Building. The supermodels are waiting in the
limos in front of Balthazar and Pravda
But so far, George and Alex are still there in the Jones. They come in every morning from Astoria
at 5 AM.
The diner is at Lafayette and Great Jones, near my
home, down in the soft-porn canyon.
So here's my story. I walk
in to have the stuffed pepper special.
I sit down. Now -- there is
an advertising campaign that put bright purple signs everywhere. Fairly small signs, featuring a single
phrase in quotes, like someone is saying something. As I eat I have to read these things. I have about six of the purple signs in
my field of vision. They have a
friendly look, a very Smith Corona-ish old font -- friendlier than email
fonts. The print is cheerily
reversed out, white language on a purple background.
surrounded
by chummy purple signage
The messages of these six signs add up to what I call
a "loneliness campaign."
The signs' text reads like the off-hand remarks of a close friend. In that tradition, some of the phrases
seem almost aimless, like the way a buddy talks. So, this one day I'm sitting there in the Jones and I'm
reading one of these signs. It
says: "You mean she actually
went up to your apartment?"
That's it. Just that
phrase, hanging there in the window while I'm having lunch. "You mean she actually went up to
your apartment?" And so I'm
thinking, and saying-- maybe my lips are moving -- I'm saying, "Yeah she
did. Unbelievable."
Now you may say that's harmless, most ads taken alone
are harmless. But my point: the people I was with in the diner were
exactly the best friends that would have said this very phrase, to me, in my
real life. Alex and George , who
are right here, now, without the advertising, they would crow, after my
kvetching about a relationship for weeks -- "You mean she actually went up
to your apartment?"
So, while I'm eating Today's Special, the
afore-mentioned stuffed pepper with the boiled carrots, delicious actually and
only six bucks... while I'm
sitting there chewing Alex notices that I'm staring at this sign. He's looks out the window at what I'm
seeing, maybe he sees the furtive arch of the eyebrow and small interior speech
when I cooperate with the sign and have a full-blown memory of the disastrous
visit by this young Parker Posey cum Audrey Hepburn figure to my 5th floor pig
sty, and then maybe Alex remembers me bringing her into the diner also, to a
sort of general held breath. Maybe
he's seeing all this in a flash and he's ready to intervene.
I'm stunned daydreaming now, watching a full scale
movie of this visit that I'm projecting through the awful coffee steam, and
Alex slaps me non-injuriously across my lost face. He's shouting,
"Well what WAS she thinking?
I know I wouldn't ever go up to your place. First, what are the diseases? They've never been seen in this country, your diseases. I mean we might read about your diseases
in the news but they haven't been seen around this neighborhood for years, what
you got..." George then comes
over with.. "And then there's the insurance question. The rates for going up to your room
would have to be worse than collision coverage in Jersey. What was she thinking? Send her over here so we can counsel
the poor girl. I mean she has
no idea! "
Before long others in the Diner, the usual motley
human comedy, they are assisting this routine with well-placed wisecracks. My ex-accountant is one of them, and a
guy who runs a small furniture store nearby, Bob, he chimes in too, although he
always talks to me through the Reverend Billy persona. "Reverend you're depressed
again!!" And of course, I am
in the sing-along myself, "Well she, in fact, had very little idea, up to
that point she had done no meaningful research, on what might happen, going up
to my room." Around the diner
people where shaking their heads slowly to empathize with what she must have
experienced, like they were remembering what a great gal she was and how she
was last seen with me, and to be in my arms is some vast maw of purgatory.
We were acting out any insecurities I might have had,
a neighborhood full-court crowing contest, a giving back the clown his
catharsis. We were our own best
audience, laughing to show how much we're liking our own wit but also laughing
how you do when collateral understandings, forgivenesses, encouragements, must
be told by a parallel eye-winking and friendly pat.
Then the odd, the unknown rose up. Alex, a Greek-American from Astoria who
probably voted for Rudy Giuliani, drops to his knees and shouts, "But will
you come up and see my etchings sometime? You've never been to my apartment." I'm taken aback. He's either laughing with or at gay
culture, but I don't think if he knows what gay culture is. But we're all laughing, and it's
probably because he is a male male and I'm a sort of gay heterosexual, to him,
a college-educated slummer who nonetheless is liked. But everyone in the long narrow diner took trajectories to
be here, everyone is suspect and grounds for a good-hearted suspicion of
closets of some kind.
I'm saying, "Well I understand you have etchings
featuring scenes of a famous diner."
And he said, " Yes different scenes, one with snow, one with just
regular garbage everywhere..."
And Alex starts singing, crooning, like Vic
Damone... "I etched my
etchings in a night course at Cooper Union, just for you... " George was vibrato-ing with his thick
fingers an air violin on his arm and starts singing in his heavy Greek accent
"I have diners on my walls just for you... " And IÕm thinking, where is this
going? And then suddenly a German
tourist family appeared in the door, all smiles, and we abruptly stopped the
bit. Alex and George were
instantly gracious and helped them to a table.
A curious thing happened. I noticed it later as I was walking home with my to-go
bag. The labyrinth of joshing had
saved me from the six purple signs in the windows. The comic serenade of
Alex and George-- I could feel the signs shrink away. In fact, here's an important detail: I can't even remember what those signs
were selling. Amen!
what
would it take
The hope for freedom starts in the body, in the
psychic body. And in the
configuration of "3 talkers" -- as with Alex, George and me circled
by purple signs trying to pass themselves off as confidants, we can leverage
our way to freedom from the incoming seduction with the home-grown Oddness of
our own conversation.
When you start with the hoped-for revolution, you keep
wandering into military metaphors.
But our revolution would not so much be an attack outward, because our
opponent is not standing there in one place like the Berlin Wall. I understand our resistance as a
neighborhood-claiming, a re-honoring, strengthening, of what we already
do. Our opponent is everywhere and
nowhere; does not have to retreat or advance. They melt into air.
And then they re-appear; as they did that day. It was suddenly clear to me that their experts had been
studying my loneliness. I would
have been distracted for sure, lost in it, and sharing confidences with six
purple signs, except, I wasn't in a chain store, I was in the hot, odd part of
my neighborhood Ð and thank god.
I can't say that in the Jones, that our guy rumble of
cracking wise, shoving each other and acting desperate, that it completes some
general strategy. But I suspect
that anything I ever say about saving ourselves could be folded back into what
happened that day in the diner. I
know that the signs shrank away.
And I know that somehow this comedy routine is the seed, the
3-on-the-corner, the revolution, my neighborhood.
oh,
we three on the corner
We have something in us that ad departments have an
intense need for, but which we ourselves have undervalued. They know that their seduction must
find a way to interrupt Alex and George and me. Those purple signs nearly did. They came pretty close. The ad departments need to know exacty where the vast
interior of the individual joins up with the mysterious souls of the other
talkers. How do we instantly
create these bonds? How do we do
it without products? Where do our
stories come from anyway; they just seem to rise out of us magically. Wait a minute, was that a completely new
word? Oh yes, the logo-driven must harness our brilliant
banter, and this is as clear to them as placing a dam on a river for power.
The extraordinary is in the ordinary. The odd pleasure rises through the
trusting teasing that we off-handedly tend to together. In its ho-hum way we build a sneaky
buoyancy in the room. A counted-on
psychological-gravitational pull.
We have to claim that in a more forthright way now, because they see it
as a market. We have to claim
it. We don't have to give them our
power.
Thus ends today's message. Let us pray.
By Jill Rapaport
Certain mantras of the current administration's
rhetoric concerning its relations with the former ancient Mesopotamia formed a
thematic trend which, when perceived as a pattern, revealed things that the
mantra-sayers may not have realized they were revealing. This might have been
called the Boomerang Style of communication. Even as endless repetitions of the
sloganeered words "freedom," "democracy," and
"humanitarianism" aroused the recognition that one was in the
presence of inhumanitarianism, autocracy, and slavery, certain other words,
like "evil," started to make those parabolic turns in the sky that
signaled their return, with force, to the tough skulls that had launched them.
George W. Bush was enamored of making multiple
repetitions of the words "evil," and "evildoer." His
cabinet and his aides, spokesmen, entire entourage used and reused the words,
too, in that sort of homage to kings and would-be kings that had been popular
in old Castile.
Military strategists serving the Texan ruler coined
military jargon for his invasion, such as the reinvented term
"decapitate." To borrow a locution from the down-home pedant-regent,
that means to kill the head of state (of the former ancient Mesopotamia). After
all, the decapitee-to-be was despised throughout the universe for his
documentedly evil deeds. Decapitate meant to pay him back in kind. In spades.
Take him out. Wack him.
The war was with a Moslem enemy, a Semitic enemy, who
still upheld the ancient credo of eye for eye and tooth for tooth. And so that
boomerang made preparations to come flying back around, sharp and javeliny.
It was chilling to be one of those who found
themselves present at the beginning of the deepest, saddest linguistic fashion
to be bandied about by the Bush-land palace guard. One by one, from Rumsfeld to
Fleischer to the heavy-breathing, shufflinâ, shitkickinâ, overgrown boy-king
himself, each in turn packed his unsweet lips around three words that by the
utterance of the last gave a distinctly indigestion-like anxiety to the unsold
hearer: ÒA dying regime.Ó
A dying regime.
A regime dying. A regime that was dying, slowly, dying surely, dying
bigly and hugely and really all over the place, if not dying tragically, or
mournably, or unjustly. The regime was dying, yeah huh. Long live the dying
regime.
George W. Bush still had his head, but that headedness
was nominal only. For a head like Bush's was as good as decapitated. There the
boomerang had done its work without losing a drop of energy, saving its
strength for its next tour.
And in the reflecting, weaponizedly blinding heat of
day, the Mesopotamian nasty, like his predecessor, the Saudi brat prince,
slipped away untaken.
=================================
Baghdad
Bush went to Baghdad to bag a big bad dad. The bad
dad, who had bagged Bush's dad's stab at bagging him, was a damn Hussein, name
Saddam. The bushed Dad Bush, having nonbagged the big bad dad, grabbed the
shrub Bush and sadly bade the boy nab the damned Saddam. So it was back to
Baghdad to bag the bad big dad for sad Dad back in the rabid brag lab where
bagging Bad Dad had been a big bid to make the ladâs dad not look bad, a drab
blab and a damn sad drag and a had hack on his back on a slab.
=================================
A Few Bad Men
One seeks simplicity in life and in the design of life
and culture.
Simplicity is elegant, authentic, the zenith of
achievement.
Simplicity is sanity. At the same time, one
overcomplicates, seeks byzantine explanations for mysterious turns of event,
refuses to believe that the dread by which one feels brushed at horrible
moments could be coming straight at one, with no rocks nor stray twigs in its
path to impede its velocity. Sanity is not attainable for everybody all the
time. To modify the old phrase, ÒWhat if they gave a war and nobody came?Ó --
what if they made an unwinnable, impossible, and immoral war and they won?
One overcomplicates: They had it all planned out in
advance. They wrote a script, then acted it out. The embedded scribe writes
what they tell him to write. TheyÕre running video games as war reportage. They
did it to get the oil, to save the CEOs, to freeze out the people who might
blow the whistle on them for doing 9/11 and blaming it on the hijackers.
Then one oversimplifies: The tyrant is gone. The
people are free. Pressure is off
gas prices through the summer.
And then one sits back and gapes, doing neither: Where
did the tyrant go? Did they / we get
him? Is he dead?
If one reads all the articles and listens to all the
reports, one will never be free of complicated simplicities that stun the brain
and make conclusion impossible.
But just not reading or listening is not the answer
either, because it seeps in from the mouths of others, who donÕt even have to
be talking in order to make one hear.
TheyÕre on the trains, the streets, the walkways of shopping centers.
TheyÕre in the buildings, out in the courtyards, the doorways, the elevators.
And simple complexities continue to flow from the
fount of information that will never be stilled.
One always thought that the ways of the master
manipulators was dark and complicated. They shielded their actions from light,
masked their endeavors.
But one realizes at some point that the masters not
only masked and shielded nothing, they walked naked in broad daylight and put
across their deeds. They pulled their heists under the cover of sunshine, in
front of cameras. They signed their own names, and kept on walking, strolling
even, barefoot and happy. They had nothing to hide! It was oneÕs own self that
ran scared, near the dark night walls, afraid, like a rat, escaping but never
escaping.